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Search results for pi,2963 in Adler number:
Headword:
*prwtoge/nhs
Adler number: pi,2963
Translated headword: Protogenes
Vetting Status: high
Translation: Artist, from Xanthos [
Myth,
Place] in
Lykia.[1] The man famous for his knowledge of painting; the man who [sc. pictorially] told the story of Dionysos[2] in
Rhodes -- the strange and wonderful artefact which so amazed even Demetrios the Besieger when he laid siege to
Rhodes for two whole years, deploying a thousand ships and an army of more than fifty-five thousand men.[3] [Protogenes wrote] 2 volumes
On Graphic Art and Figures.
Greek Original:*prwtoge/nhs, zwgra/fos, *ca/nqios e)k *luki/as: o( kata\ th\n grafikh\n diabo/htos e)pisth/mhn, o( to\ e)n *(ro/dw| *dionu/sion i(storh/sas, to\ ce/non kai\ qaumasto\n e)/rgon, o(\ kai\ *dhmh/trios o( *poliorkhth\s mega/lws e)qau/masen, o(/te th\n *(ro/don e)polio/rkhsen o(/lois e)n dusi\n e)/tesi, xili/as nau=s e)pago/menos kai\ strato\n o(pli/thn muria/das u(pe\r ta\s pe/nte kai\ pentakisxili/ous. *peri\ grafikh=s kai\ sxhma/twn bibli/a b#.
Notes:
For Protogenes see in brief OCD4 s.v.; more fully (e.g.) J.J. Pollitt,
The Art of Ancient Greece: sources and documents (Cambridge 1990) 171-3 and passim.
[1] An alternative tradition (
Pliny,
Plutarch: see n.3) said
Kaunos, which is near
Lykia but actually in
Karia.
[2] Given the other sources on the episode (see n.3) there seems to be something wrong with the text here. Bernhardy postulated a lacuna; Leopardi took the direct route and emended "Dionysos" to "
Ialysos".
[3] An absurd figure, but otherwise this is recognizably the episode mentioned by the two principal sources on Protogenes:
Pliny,
Natural History 35.101-6, and
Plutarch,
Life of Demetrios 22. King Demetrios Poliorketes famously besieged
Rhodes in 305/4 BCE (i.e. c.one full year, not two). At the time Protogenes was there, working on his painting of
Ialysos, the eponymous hero of the Rhodian city of that name. Both writers assert, with variations of detail, that Demetrios was reluctant to do anything to damage either picture or artist; and
Pliny goes as far as to identify this aesthetically-driven act of restraint (cf. Alexander the Great and the house of
Pindar in
Thebes) as the reason why the siege failed.
Keywords: art history; biography; geography; history; military affairs; religion
Translated by: David Whitehead on 29 June 2001@03:57:47.
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