[Meaning he/she/it] separated.[1] And in writers on music the tetrachord is called unyoked ["disjunct"]. And conjunct is what they call being on the same [note].[2]
*die/zeuce: diexw/rise. kai\ para\ toi=s mousikoi=s diezeugme/non le/getai to\ tetra/xordon. kai\ sunezeu=xqai le/gousi to\ e)n tw=| au)tw=| ei)=nai.
Same entry in
Photius. The headword must be quoted from somewhere; perhaps
Philo Judaeus, where it occurs several times.
[2] M.L. West,
Ancient Greek Music (Oxford 1992) 160: "All scales (according to Greek theory) are built up from 'tetrachords', that is, from systems of four notes spanning a fourth. Successive tetrachords were either 'conjunct', that is, with a shared note (for example, d-g-c), or 'disjunct', separated by a tone (for example, d-g: a-d)".
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