"How the Dioscuri honored and loved the lyric poet
Simonides, and how they saved him, calling him out of the hall when it was destroyed,[1] I shall recount elsewhere. But it is worth not omitting the following. There was a general of the people of Acragas, by name Phoenix [
Author,
Myth]; they were at war with the Syracusans. This Phoenix tore down the tomb of
Simonides without care for the burial[2] and pitilessly, and from these stones set up a tower. Thence the city was captured.
Callimachus seems to agree with this. Certainly he pities the sacrilegious deed; at any rate the Cyrenaic poet has represented him, the sweet poet, saying: 'Nor did he feel shame before the inscription that said I,[3] a Ceian man, lie here, the son of Leoprepes.' And then after some words he adds, 'Nor did he fear you, Polydeuces,[4] who placed me alone of the banqueters outside the hall about to collapse, when the great house of the sons of Crannon was destroyed on top of the Scopadae.'[5] The gods succor those who deserve it, and both the Olympian gods and those in the third
arche[6] honor them; it does not seem good to me to meddle.[7] Let these things be a reminder to live righteously and so that we have the same guardians both here and there, when we come to the 'fated and inevitable crossing'[8]."
Simônidês: hopôs etimêsan te kai ephilêsan hoi Dioskouroi ton melopoion Simônidên, kai pôs errusanto, kalesantes exô tou andrônos, entha katôlisthen, erô allachothi: axion de mêde tauta paralipein: Akragantinôn stratêgos ên, onoma Phoinix: Surakousiois de epolemoun houtoi. oukoun hode ho Phoinix dialuei ton taphon tou Simônidou mala akêdôs te kai anoiktôs, kai ek tôn lithôn tônde anistêsi purgon: kai kata touton healô hê polis. eoike de kai Kallimachos toutois homologein. oiktizetai goun to athesmon ergon, kai legonta ge auton ho Kurênaios pepoiêke ton glukun poiêtên: oude to gramma êidesthê to legomenon huion Leoprepous keisthai Kêïon andra. kait' eipôn atta epilegei: oud' humeas, Poludeukes, hupetresen, hoi me melathrou mellontos piptein ektos ethesthe pote daitumonôn apo mounon, hote Krannôniôn aias ôlisthen megas oikos epi Skopadas. timôroi men dê theoi tois axiois, kai timôsin hoi te Olumpioi, hoi te hoi epi tês tritês archês: ou moi dokei polupragmonein. estôsan dê kai tauta hupomnêsis tou bioun orthôs, hina te autous echômen kai entautha kêdemonas, kai ekeithi, hotan tên heimarmenên te kai anankaian poreian elthômen.
For
Simonides see already
sigma 439,
sigma 440.
The present entry is usually assigned
in toto as a fragment to
Aelian the Sophist: fr. 63 Hercher, now fr. 66 Domingo-Foraste (Teubner, 1994). The quotation from
Callimachus (previously
Epigrams fr. 2) was significantly expanded by the discovery of a papyrus fragment (P.Oxy. 2211), and is now to be found, as Wilamowitz had previously suggested (
Hellenistische Dichtung 180 n.1), as a fragment of
Aetia III, frag. 64 Pfeiffer, under the title
Sepulcrum Simonidis. The story told here is, however, false, a fact overlooked by Pfeiffer. Acragas had no known general called Phoenix [
Author,
Myth], and (crucially) there was no such conquest of Syracuse. Such a victor and victory could not have escaped
Diodorus Siculus in his detailed account of Sicilian history. Indeed he is the source for the real story (13.85-88), here distorted. The Carthaginian general Hannibal (namesake of the 3rd.-century general) destroyed Acragas in 406 BC, by building a gigantic causeway from the hills west of Acragas, across the River Hypsos, to the western gate of the city. To fill this causeway he robbed the cemetery on one of the hills of its monumental stones.
Simonides ended his life as a guest of Theron, tyrant of Acragas, presumably during his brief reign 478-3, and was buried there, as we learn from P.Oxy. 2211 (Callim. 64.3-4). The confusion has arisen from
Callimachus's use of 'Phoenix'
*foi/nic, 'Phoenician' for a Carthaginian, but this was not unusual. The Romans called the Carthaginians
Poeni; cf. 'Punic' Wars. The
Callimachus passage was badly construed to suggest that the Carthaginian was a general from Acragas. Confusion is also introduced if the passage is used, as commonly, to restore 'tower' (
pu/rgw|), instead of a word for 'traverse, causeway' (
porqmw=|) or for 'carrying sack' (
pormw=|, a word used by the Archer in his dialect at
Aristophanes,
Thesmophoriazusae 1007, and explained by the scholiast as used for
formo/s and thus perhaps a Doric dialect form), in the
Callimachus passage. The whole passage appears then to represent a confused commentary on a
Callimachus poem, perhaps already distorted with bad manuscript readings, and is less plausibly attributable to
Aelian.
[1] This story (also referred to in the
Callimachus fragment cited below) became a commonplace among poets, that the gods protect the sacred poet, and a fable, "
Simonides preserved by the gods" (Phaedrus,
Fables 4.24; La Fontaine 1.14).
Simonides reported in a poem that he had been dining with his patron, the Thessalian dynast Scopas (of dubious reputation) and his court, when two strangers came to the door of the dining room and called him outside. At that moment the roof collapsed and killed all the remaining banqueters, a just punishment in the eyes of many.
Simonides claimed that the strangers vanished, for they had been the Dioscuri, Castor and
Pollux, arrived to save him from the gods' punishment of his patron.
[2] This sentence and the next also appear at
alpha 860.
[3] Instead of the untranslatable text in the Suda, I here translate the reading of P.Oxy.2211:
to\ le/gon to/n me.
[4] Although Polydeuces, or
Pollux (with Castor, one of the Dioscuri), is here addressed alone, the verb is construed after a plural subject 'you'.
[5] The clause is not that of the papyrus fragment, which runs "when the Crannonian house was destroyed, alas! on the great Scopadae," i.e. on the court of Scopas. This is further evidence that the author of this passage is using a corrupt text of
Callimachus, or that the transmission of this passage has been corrupted.
[6] The passage seems to refer to men as the "third arche or creation". Intense speculation on the "third arche or principle" arose from
Plato,
Timaeus 39E-40A.
Plato seems to have envisaged matter (hyle) as an eidos or phenomenon, mixed from air and water, but later mysticism, including some Christians, saw the "third principle or creation" as that which combined god with matter to form phenomena, including mankind and material gods such as the Orphic and Christian Dragon. See
Damascius,
De principiis 1.317ff. for a discussion.
[7] This verb refers to those who occupy themselves with the search for knowledge or affairs that fall outside their responsibility or calling, and gains particularly negative connotations in monastic settings.
[8] This phrase is from the memorable and often cited reference in
Plato (
Menexenus 236D) to crossing the river Styx after death.
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