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Search results for alpha,3886 in Adler number:
Headword:
Ariôn
Adler number: alpha,3886
Translated headword: Arion
Vetting Status: high
Translation: Of
Methymna,[1] a lyric poet, son of Kykleus.[2] He was born in the 38th Olympiad.[3] Certain people recorded that he was even a pupil of
Alkman.[4] He composed songs: [namely] preludes in 2000 verses.[5] It is claimed also that he was the inventor of the tragic style and that he was the first to establish a chorus,[6] to sing a dithyramb, to provide a name for what the chorus sang[7] and to introduce satyrs speaking in verse.
[The name] retains [omega] also in the genitive.[8]
Greek Original:Ariôn, Mêthumnaios, lurikos, Kukleôs huios, gegone kata tên lê# Olumpiada. tines de kai mathêtên Alkmanos historêsan auton. egrapse de aismata: prooimia eis epê #22b#. legetai kai tragikou tropou heuretês genesthai kai prôtos choron stêsai kai dithurambon aisai kai onomasai to aidomenon hupo tou chorou kai Saturous eisenenkein emmetra legontas. phulattei de kai epi genikês
Notes:
See generally Richard Seaford in OCD(3) 158 [now OCD(4) 152], under Arion [
Author,
Myth](2).
[1] On the E. Aegean island of
Lesbos; cf.
mu 898.
[2] cf.
kappa 2643.
[3] 628-625 BCE. The words have also been interpreted to mean that "he flourished in the 38th Olympiad."
[4] For whom see
alpha 1289,
alpha 1290.
[5] Adler's '2' verses is corrected in her addenda and corrigenda
[6] Literally, "to set up a chorus". Pickard-Cambridge [p.97] translates "first composed a stationary chorus" and he notes on p.11 that "in late authors it means to 'make a chorus sing a stasimon'."
[7] Compare
Herodotus 1.23 [web address 1]: Arion "was the first man we know to have composed the dithyramb and given it a name." According to Pickard-Cambridge [p.12 cf. Campbell pp. 11-12] the implication is that Arion made the chorus sing "a regular poem, with a definite subject from which it took its name," and not that Arion invented the name "dithyramb".
[8] The object 'omega' is an early editorial supplement omitted by Adler but incorporated by Bekker. The Suda frequently uses
fula/ttei by itself to mean "keeps omega in the oblique cases."
References:
D.A. Campbell, Greek Lyric [LCL] v.3, pp. 1-2, 16-25
O. Crusius , "Arion 5" in RE 2.1, cols.836-841
A.W. Pickard-Cambridge, Dithyramb, Tragedy and Comedy, 2nd ed. rev. T.B.L. Webster. Oxford, Clarendon Press, 1962, pp.10-12, 97-101
Associated internet address:
Web address 1
Keywords: biography; chronology; dialects, grammar, and etymology; epic; geography; meter and music; poetry; stagecraft; tragedy
Translated by: Tony Natoli on 7 December 2000@20:08:51.
Vetted by:
No. of records found: 1
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